Mysteries

I’ve always been fascinated by some of the world’s great mysteries, like how exactly the aliens built the pyramids and how the Illuminati managed to get George Bush into office not once but twice.

Then there are the Nazsca lines in Peru. That one really has me stumped. How the aliens were supposed to navigate their spaceships by the 35 km square monkey drawn on the ground just boggles the mind.

I think there may be a clue in the close resemblance between Bush and the monkey, giving some credence to the theory that the aliens originally crash-landed in Sumeria and spliced their genes with an ape to make slaves to work in the mines.

bush   nazscar

Caption: George Bush (left) and the giant monkey in Peru.

Then there’s the Mona Lisa’s smile. What could it possibly mean? I just don’t buy the theory that it’s actually Leonardo Da Vinci thinking about his apprentices in the shower. C’mon. Look at the differences.

mona     mona

Caption: Leonardo (left) and Mona.

Then there are the heads on Easter Island, Atlantis (and also the island that disappeared under the sea), the maps of Antarctica before the Ice Age, the crop circles, Stonehenge and that real brain-teaser Paris Hilton (see illustration below).

parking

Caption: Paris Hilton before the personality bypass.

I will not even begin to get into the existential and metaphysical realm of why men get married more than once and what women want.

It is a strange and mystical world indeed, but there is no greater mystery to me than the Incident with Gary and the Curry Powder.

As with all great tales of intrigue, this story began with the band going out to see if we could get pissed.

Because we are such a hard-working band, the experiment was a roaring success, and we blearily staggered off to find the car in the middle of the night.

When Gary attempted to drive off in a small bus using a small sachet of sugar as a key, it occurred to me that I’d better be the one to drive us all home.

And so we set off, Gary’s head lolling about on his shoulders rather alarmingly. I had no idea someone with absolutely no ability or inclination to dance could pull off those moves.

Anyway we eventually made it home. I got Gary up the lift.

At the door to our abode I made a critical decision.

I thought. That’s OK, we’re home now. So I peeled right to get to my bed on the balcony. (Bed is a very strong word for the thing I slept on.)

But I digress. I saw Gary reeling off to the right and I thought: It’s five steps, how much trouble could he get into?

I slept.

In the morning I shuffled off to the kitchen to get a cup of coffee and nearly broke my neck when one of my slippers shot out from under me, having slipped on something.

Steadying myself on the used pots and pans stacked in the corner, I beheld a truly awesome sight.

The floor was covered in curry powder. I mean not just a light sprinkling, like they do on your plates in the fancy restaurants to justify the prices, but a good solid, inch-thick layer of Robertson’s hot curry powder (the reddish packet).

Just then H stumbled in for his morning sugar with a dash of coffee.

What the f… broe, said H, which is usually how he greets me in the morning anyway.

I don’t know what’s going on broe, I said. I had nothing to do with this.

We looked around, and spotted a trail of curry powder leading to Gary’s room.

Like Hansel and Gretel we followed the trail into Gary’s room.

Said drummer was passed out on his bed, the wrong way round, head hanging over the back, fast asleep.

Next to him was an empty tequila bottle with a layer of thick fluid that looked suspiciously like some kind of liquid mixed with curry powder, which is exactly what it turned out to be.

The mystery deepened. Next to the bottle was a small teaspoon.

What the f… broe? H is a man of few words.

We stood staring at this truly wondrous phenomenon. What could Gary possibly have been doing with an empty tequila bottle, a spoon and a film of curry sludge?

Was he cooking the stuff and spiking it? We could find no sign of a needle.

What do drummers do with curry powder and small spoons in the middle of the night? What wonderful world do these strange creatures inhabit that leads them to take to bed with them an empty tequila bottle, some curry powder and a small spoon?

Why did we know nothing of what clearly must be another way to get your kicks before the whole shithouse goes up in flames?

Alas we were never to find out.

Gary, awoken from his slumber, had no answers. He was as mystified as we were.

What the f… broe, were his exact words, as I recall.

We’ve never solved that little mystery, and I suspect we never will.

The Hell to Come

Saturday November 10, 2018. Soundcheck at Rumours Rock City on the night of the album launch.

It’s hot as Hades and we’re sweating like politicians trying to explain themselves before a Parliamentary committee.

The venue itself is exactly what I was expecting, very rock ‘n roll. Black walls, sparse furnishings, the stale smell of cigarette smoke.

I’m waiting for the nerves to kick in, but there’s no sign of them.

Setting up my home-made lyrics prompter and vocal monitor turns out to be trickIer than I thought, but eventually we get it going with the help of the sound engineer.

There are no drum mics, so we wait.

Check the guitars. go through the tedium of checking every drum. Tom tom tom. Tom tom tom. Tom tom tom.

The vocals sound OK, although the bass in my monitor is very low. The overall mix is fine because we’re all so close together.

Next to soundcheck are One Man Down, and they sound great as usual. Much more demanding of the sound engineer than we were.

Home to shower and collect boxes of CDs.

Still no sign of nerves.

Get back to the venue, there are people there early. Not sure to what to do myself. Where’s the green room? No green room but the bathrooms are nice enough.

There’s another band launching their album in the downstairs venue, so I go down to put up a sign saying Ponies launch upstairs.

I’m told there have been plenty of people looking for us, which is heartening.

I notice our name on the board outside, so I get a picture of it.

Back upstairs and there’s a sizeable crowd, with many familiar faces.

Before I know it, One Man Down are onstage.

They’re slick, as usual. Their songs are catchy and original. Their harmonies are beautiful. The electrical guitar is sparse but present and on point, the bass does its job, sitting in the pocket like a machine.

They use a cajon box drum, which why I think Indie whenever I see them perform, I suppose.

They have actual fans, as shown here.

I spend most of their set filming them, but suddenly realise that there is one hell of a racket coming from downstairs that must be incredibly off-putting for them.

They don’t bat an eyelid.

Then it’s the turn of Jeremy Franklin and the AllStars. They didn’t sound check earlier for logistical reasons, so there’s a bit of fiddling around.

But they kick off and after a few adjustments they have the crowd moving to their great Afro rock rhythms and beat.

In the meantime I find out from One Man Down that playing with the racket from downstairs was a little unnerving.

The trepidation kicks in, but still no nerves.

The band is spread across the venue, chatting to their various guests.

Eventually it’s our turn, and the noise from the downstairs venue has turned into a deafening roar.

This is going to be interesting, I think.

We’re onstage and set up. No nerves. What the hell is going on?

There’s nothing for it but to play through this noise, I think, and we kick into ‘Waiting for Ricus’.

Instinct takes over and the song is over before I know it.

I’m still not feeling connected.

I can barely hear my bass, but I’m assuming it’s sitting fine in the mix.

Never mind. No nerves.

Bonnie No 5 is next, which is one of my favourites.

It’s fairly easy to play and really rollicks along.

The noise from downstairs is intruding, and I realise it’s because there is no intervening wall, nothing at all to block the sound.

It seems our audience can hear us fine, but I’m struggling to hear the rest of the band, even though we are literally centimetres away from one another.

But the crowd seems to be enjoying what we’re doing.

We seem to have found the groove almost instantly. I’m in the zone anyway, and when that happens I can usually assume that everyone else is.

There’s a drunk heckling me. Oh God, it’s a friend of mine. But you can’t show any fear, or favour for that matter. So I chirp right back.

Ryan’s having a good time. He’s grinning from ear to ear.

There’s a woman in a red dress dancing in front of us.

It looks amazing from stage.

The video below does not have the best sound quality, but you can get the CD for that, and you can quite clearly hear the bands downstairs thrashing away.

Still onstage, I feel this truly is a baptism of fire us. It feels like we are trying to perform during an artillery bombardment.

At one point I know I am playing the wrong notes completely because I simply cannot hear the bass.

Our most tender love song, Ulysses is completely ruined by our competitors downstairs, who sounded as though they had opened the gates of Hell.

The set goes by in a blur.

With sweat stinging my eyes to the point where I cannot see, we finish on a cover, Cream’s Sunshine of your love.

There are calls for en encore, but we just can’t get above the noise, and besides, I’m knackered.

But I look around and I think the band is pretty pleased with itself, although no one says much.

I think we’re all a little shell-shocked as we stumble off the stage, exhausted, the roar of the hounds of the underworld still ringing in our ears.

I’m happy to say I’m still waiting for the nerves to kick in.

(Photographs by Elna Harmse.)

Fan reviews: Based on an Original Idea

“So after the launch on Saturday, I finally found a quiet time this evening to crack open my copy of the album and sit under my headphones. Remarkable. I pride myself as being a collector and follower of music for 47 years, and this is a gem.

As the last track ended, I found myself in a melancholy mist as one would feel after reading a moving book, or watching an inspiring movie..

In a world of plastic music and Trendies trying to pass off odd sounds as uniquely current, this is a breath of fresh sweet air. You guys rock!! get this out to the world, it has class written all over it.”😍  – Stephen Forssman

 

And here’s an actual picture of someone, front man of One Man Down, the magnificent indie band that opened for us, Dave Shortland, buying the album.

 

 

No sudden movements

Long before I ever heard of Hunter S Thompson and started modelling my life on that idiot, I wanted to be Ernest Hemingway, minus, perhaps, the gratuitous slaughter of warm-blooded animals, but certainly with a strong focus on the womanising, marlin-fishing, heavy drinking and staccato writing aspects of his testosterone-laden life.

LloydWithBass

I always fancied myself getting injured fighting some lost cause, maybe taking a bullet in a fleshy part of my anatomy (where it would leave a dramatic scar but inflict the minimal amount of pain and damage) in a forgotten war, or being gored by a bull in Pamplona, or even being knifed by a salty old sea dog in fight over a woman’s (questionable) honour in a seedy harbour cafe.

I had a chance to reflect on this as I lay writhing in agony on the floor of my bathroom the other day.

I was experiencing the kind of pain that narrows your focus down to the essentials of life, such as breathing. It came in waves, and I could only moan and whimper, mostly because the dog had taken the opportunity to squat on my chest and give my face a thorough licking.

As I suffered the indignity of being French-kissed by my dog while in the grip of a savage pain, my first thought was: my brother’s going to kill himself laughing over this.

The sad part about it was that, rather than find it hard to believe that I had caused myself a near-mortal injury hanging curtains, he would find it eminently believable, which would greatly add to his schadenfreude.

Because, dear and gentle reader, I had hurt myself, not racing motorcycles, or sailing to Tahiti, or wrestling beasts with my bare hands, but while hanging curtains. Frilly floral curtains.

I sighed, because for my brother this would bring to mind the time I ran full-tilt into a wall for no apparent reason, causing my family to rupture internal organs as they fell about, choking with laughter.

My childhood was littered with similar, inexplicable occasions. Crockery would find itself smashed on the floor, having only seconds before been nestled gently in my hands. At school I would find myself on the floor of the classroom having fallen on my head for no good reason. Once, during a school soccer match, I fell flat on my face before I was tackled, causing a legendary outbreak of mirth and merriment.

The curtain-hanging wound was a curious injury.

I have hung curtains before, but only under heavy direction from humourless women. I paid no attention at the time, and did precisely what they told me, while making no mental notes and keeping a firm eye on the cricket.

Some of you will know that hanging curtains involves counting, counting the little loops at the top of the back of the curtain, then dividing the number of little plastic hooks by two, and the number of loops by three (where appropriate), taking away the number you first thought of and multiplying by Pi, where x is greater than Ω. Times two.

So there I was, having employed the kind of calculus it takes to put a man on the moon, and I was greatly satisfied with myself. The folds were looking good, I thought, although I wasn’t really sure what that meant.

Good heavens man, I thought, you’ve done it! And it was in this moment of reverie that it happened.

Somehow, (although I was not conscious of making any movement) I managed to fall from the chair I was standing on, and in descending open my legs so that the chair’s back neatly and with unerring accuracy, cleft my posterior to visit outrage on my rectum.

Now, had this been an artistic performance of some description, this manoeuvre would have required the kind of choreography for which people win gold medals because, looking back, I realised that I must have pirouetted in mid-air at some point in order to present just the right angle for the aforementioned outrage to be perpetrated.

Now if only I had gone into a tuck and executed a forward role they way we were taught in judo classes, things may have turned out quite differently. The dog would certainly have been impressed.

However, given my rather impressive weight, height and gravity, (and with a slight adjustment of the aforementioned mathematical calculation), you may have some inkling of the agony I was in.

To add insult to injury, the accident was of the kind where it was unobserved and left no record of its assault. The chair was in exactly the same place, the curtains were well hung, God was in his heaven.

Worse, there was no visible injury, no blood, and certainly no bruise I could ever show to anyone.

Nothing but me and the pain and the humiliation, and the bloody dog licking my face.

When the last wave of pain finally broke on the shore of my shame, I had time to ruminate.

Since my second divorce I have been gathering my faeces (as the classical scholars say), and I have been gathering material for a book on modern living for the functionally dysfunctional.

My research has included cleaning up after myself, doing my own laundry, cooking my own food and generally doing the things a woman in one guise or another has been doing for me my entire life, including fixing my brakes.

In the main I have been having fun. In the past I have been involved in major business and other projects that were satisfying and rewarding, but never have I had the sense of accomplishment I get when my flat is as clean as a whistle, dinner’s in the oven, and the dog has been walked and washed.

Hanging washing on the line in the dusk the other day I felt like I was in a TS Eliot poem, and I realised that while I was not particularly happy, I was no longer actively, or should I say pro-actively, unhappy.

So that day, on my bathroom floor, when the dog got bored, and the pain subsided, I got up and cleaned the toilet bowl, taking care not to make any sudden movements.

 

 

Top of Form